Description
László Moholy-Nagy Fotogramm: After the 1926 original gelatin silver print. This avant garde image is an archival pigment print printed on art paper, float mounted on acid-free board and framed in an 11 × 14 matte black aluminum with a glass face. This artist was introduced to me by my father who owned his book Vision in Motion.
From the Metropolitan Museum of Art: “Moholy-Nagy played a key role at the Bauhaus in Weimar and Dessau as a painter, graphic artist, teacher, and impassioned advocate of avant-garde photography. He made this image without a camera by placing ordinary objects, including his hand and a paintbrush, on a sheet of photosensitized paper and exposing it to light.”
